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In the Mood for Love (Chinese: ; lit. 'Flowery Years') is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man (Tony Leung) and a woman (Maggie Cheung) in 1962 whose spouses have an affair together and who slowly develop.
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Hong Kong movies you need to see | Honeycombers

Hong Kong superstars Tony Leung and Faye Wong shine in this Wong Kar Wai classic (Image: Jet Tone Production Co., Ltd.) One of the best known Cantonese movies

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About Hong Kong style female short hair movie

About Hong Kong style female short hair movie

In the Mood for Love (Chinese: ; lit. 'Flowery Years') is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man (Tony Leung) and a woman (Maggie Cheung) in 1962 whose spouses have an affair together and who slowly develop.

In 1962 ,Chow Mo-wan, a journalist, and Su Li-zhen (Mrs. Chan), a secretary at a shipping company, rent rooms in adjacent apartments. Each has a spouse who works and often leaves.

• as Su Li-zhen (Mrs. Chan)• as Chow Mo-wan• Siu Ping Lam as Ah Ping, Chow's co-worker• as Mrs. Suen, the Chans' landlady .

Wong's plan to make a film set primarily in Hong Kong did not simplify matters when it came to the shoot. The city's appearance was much changed since the 1960s, and Wong's personal nostalgia for the time added to his desire for historical accuracy. Wong had little taste for.

• : "Yumeji's Theme" (originally from the soundtrack of 's )• : "Angkor Wat Theme", "ITMFL", "Casanova/Flute"• : "", "Te Quiero Dijiste", " .

The film's original Chinese title, meaning "the age of blossoms" or "the flowery years" – a Chinese metaphor for the fleeting time of youth, beauty and love – derives from a song of the same name by from a 1946 film. The English title derives from the song " .

In the Mood for Love went through a long gestation period. In the 1990s, Wong Kar-wai found some commercial success, much critical acclaim, and wide influence on other filmmakers throughout Asia and the world with films such as and.

The title track "Hua Yang De Nian Hua" is a song by famous singerfrom the . The 1946 song is a paean to a happy past and an oblique metaphor for the darkness of Japanese-occupied Shanghai. Wong also set the song to his 2000 short.

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6 FAQs about [Hong Kong style female short hair movie]

What is a 'Hong Kong style' hairstyle?

The “Hong Kong Style” hairstyles paved the way for a new era of Asian hair fashion. These retro Asian hairdos continue to be celebrated and embraced by individuals seeking to add a touch of vintage glamour to their look. In the 1980s, a unique hairstyle known as the “ajumma perm” gained popularity among middle-aged women in Korea.

How did Hong Kong movies influence Asian hair trends?

The mid-1980s witnessed the emergence of Hong Kong movies as a major influence on Asian hair trends. Iconic actresses like Chingmy Yau, Michelle Reis, and Joey Wong captivated audiences with their signature looks, showcasing hairstyles that would define the era.

Is in the mood for Love a Hong Kong movie?

Beneath the entrancing visual palette is a repressed romance which finds its apt denouement among the Angkor Wat ruins – a sublime touch of storytelling that renders In the Mood for Love as close to perfection as a Hong Kong film has ever attempted to be. Mr Chow and Mrs Chan are in the mood for love but little more than that.

Which Hong Kong movie has the best romance?

19. Comrades: Almost a Love Story (1996) Peter Chan’s Comrades is one of the finest romance dramas in Hong Kong cinema apart from the works of Wong Kar Wai. Maggie Cheung and Leon Lai play the central pair, who have fled from mainland China to Hong Kong in search of better prospects.

Which Hong Kong movie has the best love story?

Definitely a love story and certainly one of our cinema’s very best, Chan’s nine-times Hong Kong Film Awards winner charts the decade-spanning near-romance with acute cultural awareness and a sublime touch of emotional delicacy. 11. The Wild, Wild Rose (1960) Dir Wang Tianlin (Grace Chang, Chang Yang, Dolly Soo Fung) “L’amour, L’amour!”

Who were the '80s 'tacky' women in Hong Kong cinema?

One netizen called their hairstyles “tacky”, but he was quickly shot down by others. Hong Kong cinema was a force to be reckoned with in its heyday, with all its leading ladies and men regarded as Asia's biggest stars. And in the ‘80s, these four ladies were all the rage— Wanda Yung, Sharla Cheung, Chingmy Yau and Vivian Chow.

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